1_Day_Accompaniment Bootcamp_May_2023_Part_I

1_Day_Accompaniment Bootcamp_May_2023_Part_II_Edited

1_Day_Accompaniment Bootcamp_May_2023_Part_III_Edited

Rhythmic Exercises

Accompaniment 1-Day Bootcamp October 2022 Part 1

Accompaniment 1-Day Bootcamp October 2022 Part 2

1.1 Sound

1.2 + 1.3 Chord Vocabulary- Major and Minor Shapes

1.4 Chord Troubleshooting

1.5 Dom7 Chord Shapes

1.6 The Role of the Dom7

1.7 The Sub-Dom and the II-V

1.8 The Secondary Dominant

1.9 II-V-I in Major

1.10 II-V-I in Minor

1.11 Swing Gitan- Harmonic Analysis

1.12 Half dim7 and dim7 Shapes

1.13 Sweet Georgia Brown- Harmonic Analysis

1.14 The Minor Scale's 5th Degree

1.15 Minor Scales

1.16 Paquito Harmonic Analysis and the Sub V (Tritone Substitute)

1.17 Simple Turnaround - Root on the 6th and 5th String

1.18 La Pompe - the 1st Downstroke

1.19 La Pompe- The Quick Jump Up

1.20 La Pompe - the Slap

1.21 La Pompe - Two Downstrokes

1.22 The Sound of the Slap

1.23 How to Hold the Pick

1.24 Alon's Take - How to Listen and How to Mute the Strings

2.1 Classical vs Jazz Harmony

2.2 I-V7-I

2.3 I6 and V6 - the 1st Inversions in Classical Music

2.4 I and V6

2.5 The 7th Degree

2.6 I6 and VII6

2.7 1 to 3 and 3 to 5

2.8 I - VII6 to I6

2.9 I6 - VII6 to I

2.10 How to Practice

2.11 Gmajor - Connecting the 1st and 3rd Degrees

2.12 G major - Connecting the 3rd and the 5th

2.13 G with Passing Chords, 1 to 5

2.14 Connecting the 5th and the 7th

2.15 Review - Downstroke La Pompe

2.16 Traditional La Pompe

2.17 + 2.18 Student Questions about La Pompe

2.19 G major Harmonized Scale

2.20 G7 with Passing Chords on the 6th String

2.21 G7 with Passing Chords on the 5th String

2.22 G7 with Passing Chords on the 6th String

2.23 Gm with Passing Chords on the 4th String

2.24 Student questions

2.25 Gm6 with passing chords on the 6th and 5th strings

PDF - Jazz Passing Chords

2.26 Student Reviews

3.1 La Pompe Movements - Slow Demonstration

3.2 How to Memorize Songs Easily

Blues and the Turnaround - PDF

3.3 Blues Chord Progression

3.4 The Basic Turnaround

3.5 Turnaround with Secondary Dominants

3.6 Turnaround with the SubV (Tritone Substitute) #1

3.7 Turnaround with the Secondary Dom7 and the SubV

3.8 Secondary Dom7 and Sub V

3.9 Optional Colors for the Sub V

3.10 The Related II

3.11 Review

3.12 The Subdominant

3.13 The IIIm substitute for the I

3.14 Take it Easy

3.15 Out of Nowhere

3.16 How to Use Turnarounds

3.17 Lady Be Good Chord Etude - A Part

3.18 Sustain Variations with Passing Chords

3.19 Lady Be Good Etude - The B-Part

3.20 Lady Be Good Etude, Last A Part

3.21 Lady Be Good Complete Etude

Lady Be Good Basic - PDF

Lady Be Good Etude, level 1 - PDF

Lady Be Good Etude with Passing Chords, level 2 - PDF

Drop II Chord

4.1 Drop II Chords from the 5th String

4.2 G7 Drop II Chords on the 4th String

4.3 How I Use the Drop II Chords

4.4 Scale Degrees and How to Choose the Right Chords

4.5 Chromatic Passing Chords

4.6 Rhythm Kick #1

4.7 Rhythm Kick #2

4.8 Rythm Kick #3 - Triplets

4.9 Rhythm Kick #4 Triplets for Endings

4.10 Rhythm Kicks - Review and How to Practice

4.11 Bass and Chords - Swing Style

4.12 Bass and Chords- Balkan Style

Hora Martisolurui - Simple Bass and Chords Etude

Hora Martisolurui - Advanced Bass and Chords Etude

4.13 Hora Martisulurui Etude - Advanced, 1st A Part

4.14 Hora Martisulurui Etude - Advanced, 2nd A Part

4.15 Building Your Daily Practice Routine

4.16 Bolero Rhythm Style

4.17 Loosen Your Pick

4.18 Bass Lines with a Bass Player

4.19 Bossa Nova