Creative Improvisation Breakthrough Masterclass
How To Be Creative and Tell a Story in Your Improvisation When You’re Getting Stuck…
How to develop more and more melodic ideas to be creative every single time, especially when the chords are moving fast
How to develop a structured solo
How to play with inspiration, based on what your ears want to hear, instead of following the changes with your eyes, letting your hands play in a visual way, which eventually sounds like rambling on and on without saying anything interesting
How to stop playing the same licks over and over again, enhancing your solo with arpeggios, embellishments, trills and tremolo
How to follow Django's improvisation ideas
How do you build a repertoire and memorize all the chords in the song
And so much more...
The secret to getting good swinging phrasing and the three characteristics of your presence. Make your melodies and improvisation lines sound good just like the pros by using triplets, eights and syncopated notes.
Understanding what you play is the only way to break through the limits of your talent and shine a light on the dark places where you don't understand what's really going on in a song. Understand the harmonic progression of songs, memorize songs easily and learn how to implement anything that you can play over any song.
We all love to have some cool licks under our fingers. But the problem starts when we start playing the same licks over and over again… To get out of this rut, we must see how each lick is a unique universe that can be played in a new way every time.
Get my LIVE feedback in a unique zoom session. Share your video, ask your questions and get my direct feedback, LIVE. You can also send me your questions ahead of time and get the recording with my answers, if you can't join live.
CIBM 2022 DAY 1 #1 Hello
CIBM 2022 DAY 1 #2 Triads
CIBM 2022 DAY 1 #3 Q&A
CIBM 2022 DAY 1 #4 Scales
CIBM 2022 DAY 1 #5 Scales and Q&A
CIBM 2022 DAY 1 #6 Sentences, Assignment and Takeaway.mp4
CIBM Day 2 Part 1 Introduction, Review and My Guitar
CIBM Day 2 Part 2 Sentences
CIBM Day 2 Part 3 Motifs
CIBM Day 2 Part 4 Bonuses and Coaching Group
CIBM Day 2 Part 5 More shapes for Major and Dom7
CIBM Day 2 Part 6 Dim7
CIBM Day 2 Part 7 Single Biggest Takeaway
CIBM Day 3 Part 1_Motif Challenges
CIBM Day 3 Part 2_Dim7 Over the Tonic
CIBM Day 3 Part 3_Coaching Group Opportunity
CIBM Day 3 Part 4_The Magic Shape
CIBM Day 3 Part 5_Q&A and Biggest Takeaway
CIBM 2022 Day 4 Session #1 Dom7 to Tonic
CIBM 2022 Day 4 Session #2 Dark Eyes Blueprint
CIBM 2022 Day 4 Session #3 Invitation to the Coaching Program
CIBM 2022 Day 4 Session #4 Improvisation Games
CIBM 2022 Day 4 Session #5 Conclusions
CIBM- Complete Summary of Day #1 (2022)
CIBM- Day 1_Assignment
1.1 Introduction
1.2 The 1st Principle of an Efficient Practice Session - Set Your Goals
1.3 The 2nd Principle of an Efficient Practice Session - Don't Skip Stages
1.4 The 3rd Principle of an Efficient Practice Session - Enjoy!
1.5 The 4th and 5th Principles of an Efficient Practice Session - Don't Wait to Make it Sound Good!
1.6 Your One Song
1.7 Song Analysis and Memorization - All of Me
1.8 Song Memorization - Coquette
1.9 Song Memorization - J'attendrai
1.10 The Secret to Dazzling Your Listeners
1.11 Triads in 12 keys
1.12 Simplifying the Chord Progression - Django's Tiger
1.13 Simplifying the Chord Progression - Swing Gitane
1.14 Accompaniment with Triads - I Can't Give You Anything But Love
1.15 Basic Improvisation While Keeping the Form
1.16 Triads with HTA
1.17 Enclosures
1.18 Simple Improvisation with HTA and Enclosue Over One Chord
1.19 Double Enclosure
1.20 Trill enclosure with a Jump
1.21 Improvisation with ONE Melodic Idea Over ONE Song
1.22 Review - The 7-step Checklist for Mastering Triads
1.23 Q&A_What it Means to Keep the Form
1.24 Q&A Simplifying All of Me
1.25 Q&A Simplifying Douce Ambiance
1.26 Why Simplifying the Chord Progression
1.27 Day #1 Assignment with Triads
1.28 The 1st Step for Mastering Arpeggios - Arpeggios from the Root
1.29 The 2nd Step for Mastering Arpeggios - Arpeggios from the Highest String
1.30 The 3rd Step for Mastering Arpeggios - The Closest Note in the Same Direction
1.31 Creating melodic ideas by playing with the rhythm and changing the direction of your arpeggios
1.32 Simple Improvisation with Arpeggios while Keeping the Form
1.33 Arpeggios with HTA and Enclosures
1.34 Improvisation with Arrpeggios over Dark Eyes
1.35 Day #1 Assignment with Arpeggios
1.36 Your Single Biggest Takeaway
Improvisation with One Note Per Chord
Make it Sound Good from the Start
Two Ways to Visualize Your Fingerboard
For Advanced Guitarists: Playing with Your Inner Eye and Ear
Learning Songs: Exactly Like You
Learning Songs: Coquette
Learning Songs: I Can't Give You Anything but Love
Learning Songs: I'll See You in My Dreams
The I-VI-II-V
Triads in 12 Keys
Simplifying Chord Progressions with half dim and dim7
Keeping the Form with Triads - Minor Swing and I Can't Give You Anything But Love
The Checklist for Mastering Triads
CIBM- Day 2
CIBM- Day 2_Assignment
Essignment Example - Updated Shapes for All of Me
2.1 The Process
2.2 Practicing vs Improvising
2.3 Sentences ON and AFTER the Beat
2.4 Sentences BEFORE the Beat #1 - the Pickup
2.5 Sentences BEFORE the Beat #2 - Preceding the Next Chord
2.6 Sentences BEFORE the Beat #3 - Transition Through the Closest Note
2.7 How to Practice Sentences
2.8 Sentence Exercises with Arpeggios
2.9 Why Work on ONE song
2.10 Sentences on the Offbeat
2.11 Introduction to Motifs
2.12 Melodic Motifs
2.13 Rhythmic Motifs
2.14 Motif exercise #1
2.15 Improvisation with Motifs
2.16 Rhythmic vs Melodic Motifs
2.17 Motifs over Djangology
2.18 The Motif Exercise
2.19 Building Attentiveness to your Motifs
2.20 Major shapes with 6 and Maj7
2.21 Transitioning to the Dom7
2.22 The Dim7 Shape
2.23 Dim7 as a Dom7b9
2.24 I Can't Give You Anything But Love with the Dim7 as a Dom7b9
2.25 Dim7 From the Tonic Over the Dom7
2.26 Updated set of Shapes Over Minor Swing
2.27 Updated set of Shapes Over After Youv'e Gone
2.28 Updated set of Shapes Over J'attendrai
2.29 Dim7 Over the Dom7 and NOT Dom7 over the Dim7
2.30 How to See the Shapes of the Dim7 Over the Dom7
2.31 Module #2 Assignment
2.32 Single Biggest Takeaway
Pause-The First Characteristic of Your Sentence
Variations for the Chromatic Pick-Up
The Learning Process (Students Comments)
Sentences BEFORE the Beat - Anticipating the Chord (G7-C)
Sentences BEFORE the Beat - Anticipating the Chord (Cmaj7-EbMaj7)
Playing in and Out
Sentences BEFORE the Beat over Minor Blues
The END of Your Sentences
Sentences BEFORE the Beat - Moving from One Chord to Another (G7-C)
Sentences BEFORE the Beat - Moving from One Chord to Another (Minor Blues)
The Magic Dim7 Shape
How to Master the Dim7 shape
Creativity Tips
CIBM- Day 3 (2022 update)
CIBM- Day 3_Assignment
3.1 Review of Day #2
3.2 Trust the Process
3.3 The Half Diminished
3.4 The Half Diminished as m6, 7add9 and 7b9b13
3.5 ONE Magic Shape Over Major Chords
3.6 ONE Magic Shape Over Minor and Dom7 Chords
3.7 Visualizing the Shapes and Seeing the Degrees
3.8 HTA and enclosures with the ONE magic Shape
3.9 Less is More - How to Master the Shapes
3.10 Adding Notes to the ONE Magic Shape
3.11 The Most Common Shapes in Django's Solos
3.12 Two Phrases with the ONE Magic Shape
3.13 Same Shapes, Different Melodies
3.14 LIVE lesson with Donna - Shapes and Form
3.15 LIVE lesson with Donna - Sentences
3.16 LIVE lesson with Donna - Motifs
3.17 The Wrong Shapes
3.18 Improvising over a Sequence of Shapes - II V I from Montagne Sainte Genevieve
3.19 Implementing Sequences of Chords over the II V I
3.20 The SubV
3.21 Sequence of Shapes - the Christof in Django's Tiger
3.22 Django's Phrase Over the Christof in Django's Tiger
3.23 Sequence of Shapes over After You've Gone
3.24 Djangos Solo in After Youv'e Gone
3.25 Learning the Examples
3.26 Day #3 Assignment
3.27 Single Biggest Takeaway
This course is suitable for all levels. We start from the very basic concepts of improvisation. The beauty of this process is that it lays down the framework for your improvisation, no matter what your playing skills are. And the more you delve into this process, the deeper and more interesting it gets. Because learning music is an endless multi-dimensional process that can go deeper and deeper all the time.
Yes! The big mistake that I see people make is that they get caught-up in all of those exercises that they don't master fully and skip the fundamental steps that can get them to play the way they wish to. Taking YouTube lessons one after another, transcribing solos, learning superimposed chords, dozens of different scales, licks, methods for the II-V-I and other chord progressions, improvisation etudes, varying sounds like the Aug, Alt, b9,#9, b13, #11, speed and more… All of those things have a place in your playing, but only when they're organized in the coherent process that you'll learn here. In fact - this process is so powerful that I am still practicing it... This is for absolutely anyone who wishes to really improvise melodically, at any level.
Well... this course will actually help you complete the other courses you have. Because what you'll learn here is the framework and the process of improvisation as COMPOSITION on the spot. After learning this process, it will be easier for you to learn new materials and implement them in the fastest and most accurate way.
Yes! The course is yours and you can use it as long as you wish! You can download it and you can watch it online.
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Yes! You get complete access to the edited recordings of 2021 Masterclass upon registration
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