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HOW TO dazzle all your listeners with your creative melodic solos every single time WITHOUT repeating the same old licks or losing the form,  EVEN IF you don't have a lot of time to practice

A new proven process for creative improvisation that you'll be able to duplicate over any song you choose, because, if you're like me and you want to enjoy the music that you play, it's time to stop wasting time going around in circles and make a real breakthrough in your improvisation.

This process is based on 4 simple, achievable and measurable steps. Each one of these steps has a "green light," which means you can move forward to the next step or a "red light" which means that you still need to practice until you master it. And this process actually works! 

The beauty of these 4 steps is that they lay down the framework for your improvisation, no matter what your playing skills are. And the more you go through this process, the deeper and more interesting it gets. Because learning music is an endless multi-dimensional process that can go deeper and deeper all the time.

What You Get:


  • Complete recording of 2022 Online Masterclass

  • 124 short lessons to help you go through this process step by step. A new, proven and complete method that'll have you playing melodic improvisations right away. Because, if you are like me and you want to enjoy the music  you play, it's time to stop wasting time going around in circles and make a real breakthrough in your improvisation with a proven process that really works.
    You Get Instant Access Upon Registration. Your Journey Starts NOW! 

  • PDFs of all the material and etudes 

    Prefer learning from text, diagrams, notes and tabs? We've got you covered. You have it all written out for you.
  • RESULTS

    Achieve more freedom in your improvisation and dance through the changes, up and down the strings, using the guitar's full range, freeing your melodic ideas and improvising the way you always wished you could!


PLUS...

  • How to develop more and more melodic ideas to be creative every single time, especially when the chords are moving fast

  • How to develop a structured solo

  • How to play with inspiration, based on what your ears want to hear, instead of following the changes with your eyes, letting your hands play in a visual way, which eventually sounds like rambling on and on without saying anything interesting

  • How to stop playing the same licks over and over again, enhancing your solo with arpeggios, embellishments, trills and tremolo

  • How to follow Django's improvisation ideas

  • How do you build a repertoire and memorize all the chords in the song

  • And so much more...

Bonus #1: 

Swing, Groove and Time - a two hour digital video course

The secret to getting good swinging phrasing and the three characteristics of your presence. Make your melodies and improvisation lines sound good just like the pros by using triplets, eights and syncopated notes.

A $200 Value FREE!

Bonus #2: 

Theory Package: Harmony Course + Chords and Intervals + All my e-books.

Understanding what you play is the only way to break through the limits of your talent and shine a light on the dark places where you don't understand what's really going on in a song. Understand the harmonic progression of songs, memorize songs easily and learn how to implement anything that you can play over any song. 

A $231 Value FREE!

Bonus #3: 

1/1 licks: A 3-hour digital video course about licks and how to use them in your improvisation

We all love to have some cool licks under our fingers. But the problem starts when we start playing the same licks over and over again… To get out of this rut, we must see how each lick is a unique universe that can be played in a new way every time.

  • The ultimate V7-I lick collection (12 super licks)
  • How to master licks, change them and base an entire improvisation over them
  • The 1-lick over 1-song workout with examples and troubleshooting over various songs

A $200 Value FREE!

Bonus #4: 

A Special Live Q&A Call

Get my LIVE feedback in a unique zoom session. Share your video, ask your questions and get my direct feedback, LIVE. You can also send me your questions ahead  of time and get the recording with my answers, if you can't join live.

A $100 Value FREE!


I also want to let you know that you can proceed today completely protected by my unconditional 30-day 100% money-back guarantee.


If you find that the course is not for you, all you need to do is send me a 1 line email within 30 days of your purchase and you'll get a full refund, no questions asked, no hassle. In fact, there is nothing holding you back from joining this masterclass right now. You'll either improve your improvisation or - you'll get your money back.


 

Course curriculum

    1. CIBM 2022 DAY 1 #1 Hello

    2. CIBM 2022 DAY 1 #2 Triads

    3. CIBM 2022 DAY 1 #3 Q&A

    4. CIBM 2022 DAY 1 #4 Scales

    5. CIBM 2022 DAY 1 #5 Scales and Q&A

    6. CIBM 2022 DAY 1 #6 Sentences, Assignment and Takeaway.mp4

    7. CIBM Day 2 Part 1 Introduction, Review and My Guitar

    8. CIBM Day 2 Part 2 Sentences

    9. CIBM Day 2 Part 3 Motifs

    10. CIBM Day 2 Part 4 Bonuses and Coaching Group

    11. CIBM Day 2 Part 5 More shapes for Major and Dom7

    12. CIBM Day 2 Part 6 Dim7

    13. CIBM Day 2 Part 7 Single Biggest Takeaway

    14. CIBM Day 3 Part 1_Motif Challenges

    15. CIBM Day 3 Part 2_Dim7 Over the Tonic

    16. CIBM Day 3 Part 3_Coaching Group Opportunity

    17. CIBM Day 3 Part 4_The Magic Shape

    18. CIBM Day 3 Part 5_Q&A and Biggest Takeaway

    19. CIBM 2022 Day 4 Session #1 Dom7 to Tonic

    20. CIBM 2022 Day 4 Session #2 Dark Eyes Blueprint

    21. CIBM 2022 Day 4 Session #3 Invitation to the Coaching Program

    22. CIBM 2022 Day 4 Session #4 Improvisation Games

    23. CIBM 2022 Day 4 Session #5 Conclusions

    1. CIBM- Complete Summary of Day #1 (2022)

    2. CIBM- Day 1_Assignment

    3. 1.1 Introduction

    4. 1.2 The 1st Principle of an Efficient Practice Session - Set Your Goals

    5. 1.3 The 2nd Principle of an Efficient Practice Session - Don't Skip Stages

    6. 1.4 The 3rd Principle of an Efficient Practice Session - Enjoy!

    7. 1.5 The 4th and 5th Principles of an Efficient Practice Session - Don't Wait to Make it Sound Good!

    8. 1.6 Your One Song

    9. 1.7 Song Analysis and Memorization - All of Me

    10. 1.8 Song Memorization - Coquette

    11. 1.9 Song Memorization - J'attendrai

    12. 1.10 The Secret to Dazzling Your Listeners

    13. 1.11 Triads in 12 keys

    14. 1.12 Simplifying the Chord Progression - Django's Tiger

    15. 1.13 Simplifying the Chord Progression - Swing Gitane

    16. 1.14 Accompaniment with Triads - I Can't Give You Anything But Love

    17. 1.15 Basic Improvisation While Keeping the Form

    18. 1.16 Triads with HTA

    19. 1.17 Enclosures

    20. 1.18 Simple Improvisation with HTA and Enclosue Over One Chord

    21. 1.19 Double Enclosure

    22. 1.20 Trill enclosure with a Jump

    23. 1.21 Improvisation with ONE Melodic Idea Over ONE Song

    24. 1.22 Review - The 7-step Checklist for Mastering Triads

    25. 1.23 Q&A_What it Means to Keep the Form

    26. 1.24 Q&A Simplifying All of Me

    27. 1.25 Q&A Simplifying Douce Ambiance

    28. 1.26 Why Simplifying the Chord Progression

    29. 1.27 Day #1 Assignment with Triads

    30. 1.28 The 1st Step for Mastering Arpeggios - Arpeggios from the Root

    31. 1.29 The 2nd Step for Mastering Arpeggios - Arpeggios from the Highest String

    32. 1.30 The 3rd Step for Mastering Arpeggios - The Closest Note in the Same Direction

    33. 1.31 Creating melodic ideas by playing with the rhythm and changing the direction of your arpeggios

    34. 1.32 Simple Improvisation with Arpeggios while Keeping the Form

    35. 1.33 Arpeggios with HTA and Enclosures

    36. 1.34 Improvisation with Arrpeggios over Dark Eyes

    37. 1.35 Day #1 Assignment with Arpeggios

    38. 1.36 Your Single Biggest Takeaway

    1. Improvisation with One Note Per Chord

    2. Make it Sound Good from the Start

    3. Two Ways to Visualize Your Fingerboard

    4. For Advanced Guitarists: Playing with Your Inner Eye and Ear

    5. Learning Songs: Exactly Like You

    6. Learning Songs: Coquette

    7. Learning Songs: I Can't Give You Anything but Love

    8. Learning Songs: I'll See You in My Dreams

    9. The I-VI-II-V

    10. Triads in 12 Keys

    11. Simplifying Chord Progressions with half dim and dim7

    12. Keeping the Form with Triads - Minor Swing and I Can't Give You Anything But Love

    13. The Checklist for Mastering Triads

    1. CIBM- Day 2

    2. CIBM- Day 2_Assignment

    3. Essignment Example - Updated Shapes for All of Me

    4. 2.1 The Process

    5. 2.2 Practicing vs Improvising

    6. 2.3 Sentences ON and AFTER the Beat

    7. 2.4 Sentences BEFORE the Beat #1 - the Pickup

    8. 2.5 Sentences BEFORE the Beat #2 - Preceding the Next Chord

    9. 2.6 Sentences BEFORE the Beat #3 - Transition Through the Closest Note

    10. 2.7 How to Practice Sentences

    11. 2.8 Sentence Exercises with Arpeggios

    12. 2.9 Why Work on ONE song

    13. 2.10 Sentences on the Offbeat

    14. 2.11 Introduction to Motifs

    15. 2.12 Melodic Motifs

    16. 2.13 Rhythmic Motifs

    17. 2.14 Motif exercise #1

    18. 2.15 Improvisation with Motifs

    19. 2.16 Rhythmic vs Melodic Motifs

    20. 2.17 Motifs over Djangology

    21. 2.18 The Motif Exercise

    22. 2.19 Building Attentiveness to your Motifs

    23. 2.20 Major shapes with 6 and Maj7

    24. 2.21 Transitioning to the Dom7

    25. 2.22 The Dim7 Shape

    26. 2.23 Dim7 as a Dom7b9

    27. 2.24 I Can't Give You Anything But Love with the Dim7 as a Dom7b9

    28. 2.25 Dim7 From the Tonic Over the Dom7

    29. 2.26 Updated set of Shapes Over Minor Swing

    30. 2.27 Updated set of Shapes Over After Youv'e Gone

    31. 2.28 Updated set of Shapes Over J'attendrai

    32. 2.29 Dim7 Over the Dom7 and NOT Dom7 over the Dim7

    33. 2.30 How to See the Shapes of the Dim7 Over the Dom7

    34. 2.31 Module #2 Assignment

    35. 2.32 Single Biggest Takeaway

    1. Pause-The First Characteristic of Your Sentence

    2. Variations for the Chromatic Pick-Up

    3. The Learning Process (Students Comments)

    4. Sentences BEFORE the Beat - Anticipating the Chord (G7-C)

    5. Sentences BEFORE the Beat - Anticipating the Chord (Cmaj7-EbMaj7)

    6. Playing in and Out

    7. Sentences BEFORE the Beat over Minor Blues

    8. The END of Your Sentences

    9. Sentences BEFORE the Beat - Moving from One Chord to Another (G7-C)

    10. Sentences BEFORE the Beat - Moving from One Chord to Another (Minor Blues)

    11. The Magic Dim7 Shape

    12. How to Master the Dim7 shape

    13. Creativity Tips

    1. CIBM- Day 3 (2022 update)

    2. CIBM- Day 3_Assignment

    3. 3.1 Review of Day #2

    4. 3.2 Trust the Process

    5. 3.3 The Half Diminished

    6. 3.4 The Half Diminished as m6, 7add9 and 7b9b13

    7. 3.5 ONE Magic Shape Over Major Chords

    8. 3.6 ONE Magic Shape Over Minor and Dom7 Chords

    9. 3.7 Visualizing the Shapes and Seeing the Degrees

    10. 3.8 HTA and enclosures with the ONE magic Shape

    11. 3.9 Less is More - How to Master the Shapes

    12. 3.10 Adding Notes to the ONE Magic Shape

    13. 3.11 The Most Common Shapes in Django's Solos

    14. 3.12 Two Phrases with the ONE Magic Shape

    15. 3.13 Same Shapes, Different Melodies

    16. 3.14 LIVE lesson with Donna - Shapes and Form

    17. 3.15 LIVE lesson with Donna - Sentences

    18. 3.16 LIVE lesson with Donna - Motifs

    19. 3.17 The Wrong Shapes

    20. 3.18 Improvising over a Sequence of Shapes - II V I from Montagne Sainte Genevieve

    21. 3.19 Implementing Sequences of Chords over the II V I

    22. 3.20 The SubV

    23. 3.21 Sequence of Shapes - the Christof in Django's Tiger

    24. 3.22 Django's Phrase Over the Christof in Django's Tiger

    25. 3.23 Sequence of Shapes over After You've Gone

    26. 3.24 Djangos Solo in After Youv'e Gone

    27. 3.25 Learning the Examples

    28. 3.26 Day #3 Assignment

    29. 3.27 Single Biggest Takeaway

About this course

  • $330.00
  • 211 lessons
  • 36 hours of video content

FAQ

  • I'm a Beginner - I'm Not Sure I Can Handle This

    This course is suitable for all levels. We start from the very basic concepts of improvisation. The beauty of this process is that it lays down the framework for your improvisation, no matter what your playing skills are. And the more you delve into this process, the deeper and more interesting it gets. Because learning music is an endless multi-dimensional process that can go deeper and deeper all the time.

  • I'm an Advanced Guitarist - Do I Have Anything to Gain from This?

    Yes! The big mistake that I see people make is that they get caught-up in all of those exercises that they don't master fully and skip the fundamental steps that can get them to play the way they wish to. Taking YouTube lessons one after another, transcribing solos, learning superimposed chords, dozens of different scales, licks, methods for the II-V-I and other chord progressions, improvisation etudes, varying sounds like the Aug, Alt, b9,#9, b13, #11, speed and more… All of those things have a place in your playing, but only when they're organized in the coherent process that you'll learn here. In fact - this process is so powerful that I am still practicing it... This is for absolutely anyone who wishes to really improvise melodically, at any level.

  • I already have so many things to practice... I haven't even finished some of your other courses....

    Well... this course will actually help you complete the other courses you have. Because what you'll learn here is the framework and the process of improvisation as COMPOSITION on the spot. After learning this process, it will be easier for you to learn new materials and implement them in the fastest and most accurate way.

  • Can I Download the Course to my Computer and Save it for Life?

    Yes! The course is yours and you can use it as long as you wish! You can download it and you can watch it online.

  • Do the Lessons Work on Tablet and Smartphone?

    Yes! You can view the course from any device. You just need your email and password to sign in.

  • Can I start learning immediately?

    Yes! You get complete access to the edited recordings of 2021 Masterclass upon registration

  • What if I can't make it live to the live session?

    No problem! The complete recording will be added to your dashboard.

Reviews and Testimonials

Jon Richmond

5 star rating

“What I have always liked about Yaakov's courses and teaching is that what is taught is practical and can be used in a number of contexts. What I like about his approach is the emphasis on there being no shortcuts, and that personal effort and disc...”

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“What I have always liked about Yaakov's courses and teaching is that what is taught is practical and can be used in a number of contexts. What I like about his approach is the emphasis on there being no shortcuts, and that personal effort and discipline - trusting the process - are essential to make real progress. What I gained from this course, in particular, is the ability to combine use the skills I learned from other courses - gypsy picking, triads, and arpeggios - to analyse and understand the form and structure of tunes, and to make fresh sounding, improvised music with a jazz manouche feel, yet with a sound and character that are my own rather than trying to duplicate or mimic the sound of others. If you already have some skills, and a working knowledge of triads and arpeggios, I highly recommend this course to move your playing to another level. Thank you Yaakov.”

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Herman lum

5 star rating

“Hi, my name Herman. I just completed this online course, which is excellent to leading me to a direction of thinking how to play a music and to be an improviser. Yaakov is a very good teacher and he making this course is very systemic to leading ...”

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“Hi, my name Herman. I just completed this online course, which is excellent to leading me to a direction of thinking how to play a music and to be an improviser. Yaakov is a very good teacher and he making this course is very systemic to leading the students how to improve their music growth step by step. Be honours before this course I am just to follow the music sheet note-by-note to remember the songs, but no idea how to improvisation, so after this 4 weeks course. I exactly know how's it work and how to train myself to play improvisation of a song musically. Thanks Yaakov, Herman”

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jim Lowe

5 star rating

“This is marvellous. You ask for evaluation on a scale of 1—10, but how can I grade something that has changed the way I think about improvisation? Working with bare triads— it’s like a painter restricting him/herself to the three primary co...”

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“This is marvellous. You ask for evaluation on a scale of 1—10, but how can I grade something that has changed the way I think about improvisation? Working with bare triads— it’s like a painter restricting him/herself to the three primary colours. The discipline needed to omit all passing notes and neighbour notes is considerable, but I’m convinced that it will transform my playing. Hopefully! Once we get over the pandemic :-) Thanks Yaakov”

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Simon Shah

5 star rating

“This is by far the best guitar class I have ever taken! It far exceeded my expectations and I made a lot of progress in just four weeks. I've been unsuccessfully struggling to learn guitar for decades and yet I've been stuck at a low intermediat...”

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“This is by far the best guitar class I have ever taken! It far exceeded my expectations and I made a lot of progress in just four weeks. I've been unsuccessfully struggling to learn guitar for decades and yet I've been stuck at a low intermediate level. I was beginning to worry that I might never really learn. Now, after Yaakov's course, I can see a clear way forward to learning to really PLAY the guitar and have fun. Here's what I like about the course: -- Yaakov stresses that music and practice should above all be fun. I love this attitude! The more fun it is, the more I want to practice. -- The basic premise of the course is that you can play really nice improvisations with the tools you already have. Learning to improvise is not about learning even more scales and even more chords. It's about taking what you have and using it to make music. Right now. This is so liberating! This is the "secret" to improvisation that I've been looking for. -- Yaakov gives a step-by-step process for learning to improvise. Each step is simple and clear. So despite the large amount of information, I don't feel overwhelmed. At each step, I feel comfortable and confident and this enables me to have fun and enjoy the playing. Yaakov always says "Trust the process". -- Yaakov has a wonderful, warm personality and genuinely cares about the students and is quick to give encouragement. Michael is also a pleasure to work with and gives thoughtful and helpful feedback and suggestions. -- The course teaches fundamental principles of improvisation. These can be used by any guitarist, from beginner to professional. And indeed, there are guitarists of many levels taking the course. -- The course is very well organized. There's a huge amount of material, presented very clearly and broken down into small easy-to-understand sections. -- Yaakov and Michael give wonderful support. You can post videos to the Facebook page and quickly get super helpful feedback. (This is the first time I've used Facebook and it was pretty easy.) -- Weekly exercises. Each week there are various exercises to do. These exercises are very helpful as well as really enjoyable. You make a video of yourself playing them, then post them to the Facebook page. You get great feedback for Yaakov and Michael, and also from your fellow students. -- Interesting Facebook community. It is very interesting and helpful to see other students' videos and comments. I've learned a lot from them. -- The concepts and lessons taught here are applicable to all styles (rock, blues, etc.) and all instruments. I'm also learning piano, at a very low level, and this course is already helping me improvise better. -- Each lesson lasts 3-5 hours. What's really great is that Yaakov records the entire lesson, and breaks it down into small (1-5 minutes) sections, labelled by topic. So it's easy to go back to any particular topic and review it as many times as you like. -- The supporting PDFs are well written, clear and extremely helpful. I find this course very intense and demanding. For me, I need 2-4 hours a day to study and understand the concepts and to keep on top of the assignments. However, I imagine for more advanced students it would be much easier, since they will already know chord sequences, intervals, how to play songs at full speed, and so on. In conclusion, I would highly recommend this course for anyone looking to improve their improvisation.”

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Darko Stanisic

5 star rating

“When joining this course I had a decent knowing of triad shapes and improvising with them. What was totally unbelievable in this course is that all shapes and complete process how to go from beginner level to advanced is shown explained so it loo...”

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“When joining this course I had a decent knowing of triad shapes and improvising with them. What was totally unbelievable in this course is that all shapes and complete process how to go from beginner level to advanced is shown explained so it looks like is simple that anyone can do. At the end you’ll see how you can improvise beautifull melodies to look like true composition. Now working on this I see that the system is there and if you are like me and you are enjoying learning new proven stuff this is it. I am sure that you can’t find better course that can take you to the level of improvisation with your on style but again to be in GJ manner. So good just trust the process:) ”

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Bill Ward

5 star rating

“Bill Ward’s review of 4 day “Creative Improvisation Breakthrough Masterclass,” Yaakov, your 4 day Master Improvisation class was fantastic! I learned so much about improvisation that I did not know prior to the course. This course has prov...”

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“Bill Ward’s review of 4 day “Creative Improvisation Breakthrough Masterclass,” Yaakov, your 4 day Master Improvisation class was fantastic! I learned so much about improvisation that I did not know prior to the course. This course has provided me with a solid foundation to make huge improvements in my ability to improvise. Your emphasis to teach on a step by step process starting with simple shapes and elements of improvisation and adding more complex elements and shapes along the learning process was very helpful. I would recommend this course for anyone interested in Jazz improvisation with some basic chord shape knowledge. On a scale of 1 to 10 this course would rate a 10+! Right off the top here are some of my biggest gains. 1. The HTA and full tone (or Scale note) from below really helped open up the good notes that can be used on major and minor chord types. How to use enclosures was very helpful for how to create additional new melodies. 2. I finally understand the diminished 7 chord 7 and a diminished chord are the same. I learned how to use the diminished chord in two ways as a substitute for the dominant chord. This was a huge gain for me! I love the sound of the diminished chord as a substitute for the dominant 3. The multiple great new shapes I learned about and how to use them, especially including the G6, and the diminished Shape. The "one magic shape" will take some time to fully understand how to use and I love having your course material to be able to go back to and do that. 4. The importance of sentences and space in our melodies. Understanding Motifs, how beautiful they sound. Also the importance of being able to play before and after the beat, something I had never done and plan to work hard on doing this. 5. Our goal in improvisation is to develop our own melodies using the basic harmony and structure of the song. This was a big takeaway for me as well. Your teaching in this live course as with all your live courses was inspiring and encouraging. Your emphasis on the importance of having fun along the way was and always is important. I had lots of fun in this course! Besides your amazing gypsy jazz knowledge and skills your enthusiasm, passion and patience were great positives in teaching this class. Thank you Yaakov! ”

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Steven Witte

5 star rating

“I really enjoyed this course. I have struggled for many years transcribing Django solos and not quite mastering them. When you do not know what someone is doing, it is difficult to remember notes and phrases solely by memory. This course helped to...”

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“I really enjoyed this course. I have struggled for many years transcribing Django solos and not quite mastering them. When you do not know what someone is doing, it is difficult to remember notes and phrases solely by memory. This course helped to fill in some of the gaps in understanding that I had experienced in trying to memorize entire solos without any context. I would highly recommend this course if you are interested in playing gypsy jazz and/or simply want to improve your ability to improvise on the guitar. Yaakov is a very clear and patient teacher, and the course will provide information that should keep an interested player busy for a long time after the course ends.”

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John Twomey

5 star rating

“Creative Improvisation: The Toolbox of Django And Hot Club Swing: A Step-by-Step Masterclass in Improvisation Yakov will give you a peek into his improvising toolbox, Django’s toolbox, and the same toolbox all creative improvisers use and have ...”

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“Creative Improvisation: The Toolbox of Django And Hot Club Swing: A Step-by-Step Masterclass in Improvisation Yakov will give you a peek into his improvising toolbox, Django’s toolbox, and the same toolbox all creative improvisers use and have at their disposal. Yakov will take you step-by-step beginning with the three notes of the simple triad (a chord) as your starting point. From this point on you will be filling your toolbox with all the different tools improvisers use: Arpeggios, patterns, magic shapes, playing around the beat, motifs, sentences, building up to you using a unified structure, by employing the tools you’ve learned to use, for complete, creative improvisation. It is a lot of work, but at least you will have the tools you need.”

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Adolph Lopez

5 star rating

“If there’s one word I’d use to describe Yaakov’s Creative Improvisation Breakthrough Masterclass, it’s “demystify.” Whatever your skill level on the guitar, if you can hear a good improvised solo in your head and have wondered how to do it you...”

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“If there’s one word I’d use to describe Yaakov’s Creative Improvisation Breakthrough Masterclass, it’s “demystify.” Whatever your skill level on the guitar, if you can hear a good improvised solo in your head and have wondered how to do it yourself, the whole topic of improvisation may seem mysterious. Yaakov’s class will demystify the process and show you how hear, understand, practice, and execute your own guitar soloing. He will show you how the forms and shapes of chords and passages you may already know can be the building blocks to understanding improvisation. Even before you can produce solos yourself, you will begin to understand improvisations on guitar and other instruments. But anyone call tell you why an improvisation sounds good and works. To learn how to do it yourself requires an instructor who knows how to organize material that you can digest and practice at your own pace. Yaakov is that instructor. I have enjoyed a number of Yaakov’s courses and I participated in the Creative Improvisation Breakthrough Masterclass, and can tell you that the amount of information he reveals can seem overwhelming. What makes his courses and classes so valuable, however, is the presentation and organization of the material. You will be able to go back and review all the presented material and study at your own pace. Additionally, Yaakov makes himself available for questions even after the course is over. Furthermore, he provides a space for students to share questions, experiences, and breakthroughs in learning. Yaakov’s Creative Improvisation Breakthrough Masterclass demystified improvisation for me and fellow participants. It is a resource to which I will continually refer as long as I play guitar. ”

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David Adasse

5 star rating

“before this workshop, improvisation was a hit-or-miss endeavor. in fact, I often avoided it altogether, because my attempts felt so frustrating and disappointing. While taking this masterclass, I received the tools and habits that enable me to cre...”

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“before this workshop, improvisation was a hit-or-miss endeavor. in fact, I often avoided it altogether, because my attempts felt so frustrating and disappointing. While taking this masterclass, I received the tools and habits that enable me to create my own improvisations while respecting the forms, phrasing, and idioms of this musical style. I now look forward enthusiastically to applying these tools daily, growing as a musician, and am forever grateful to Yaakov and my fellow students for their knowledge and support. ”

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דנה רדין

5 star rating

“How musicians succeed in creating beautiful melodic solos on the spot always seemed like some mysterious kind of magic to me,. And on the other hand, I wondered why the solos of talented musicians could often be so boring. Yaakov seems to have c...”

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“How musicians succeed in creating beautiful melodic solos on the spot always seemed like some mysterious kind of magic to me,. And on the other hand, I wondered why the solos of talented musicians could often be so boring. Yaakov seems to have cracked the mystery and developed very effective ways of improvising and learning how to do it well, by breaking down the learning process and creating a step-by-step process that we all learned, so we can replicate it on any song and throughout our lives, regardless of our current knowledge and skill or however much we progress. Every step of the way, Yaakov reveals ways of looking at and understanding music to help us develop a mindset, attitude and approach that leads to more melodic, interesting and satisfying solos. The great advantage of the Masterclass over recorded online courses is the opportunity to get individual feedback and to see and learn from what other students are doing and the feedback they get. Plus, you still get the continued use of the recorded and written materials. My feeling at the end of the course was that I had the tools I needed to learn to improvise well and a wealth of material to learn at my fingertips. ”

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“I enjoyed it so much and was making substantial progress with my improvisation skills. Until joining the program, my solos consisted of noodling with a scale through the changes. The structure of the program taught me how to approach soloing using these techniques. My goal went from stringing together arpeggios at blazing speeds to creating melodic statements that applied my current skills and came from the music inside of me. Thanks so much, Yaakov!”

“Simply put, learning the fundamentals of gypsy jazz from Yaakov has done wonders for my confidence and ability to improvise. Now I'm very much enjoying my daily practice, creating lines and swinging out. If you're passionate about learning how to play Gypsy Jazz, I couldn't recommend Yaakov's courses and bootcamps more. I consider the progress I've made in such a relatively short time and the guidance I've been given invaluable. Worth every penny. Thanks again Yaakov!”

“You have a great system of turning the knowledge I have into something that I can use and if I don't have the knowledge, you are giving it to me so it's usable. Learning this process has changed everything in my playing. I like my own sound and solos better and people are asking me to come back and play with them again which is a pretty good indicator that I'm doing something right and and it's all thanks to you Yaakov!”

Michael Marino

5 star rating

“This course is so comprehensive it is like a PhD in improv. The structure and content are set up to give you tools to understand the overall approach to building creative solos. I now have a better understanding of what to work on and how to orga...”

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“This course is so comprehensive it is like a PhD in improv. The structure and content are set up to give you tools to understand the overall approach to building creative solos. I now have a better understanding of what to work on and how to organize my practice to be more productive. This course also has given me a better appreciation of the form and structure of gypsy jazz. If you want to grow musically this is a blueprint to follow. ”

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mark Mc myn

5 star rating

“Yaakov has done a fine job of pulling the many elements of gypsy jazz improvisation together into an excellent course. He has made the high level of skill and knowledge needed to play this music, attainable for aspiring guitarists. Yaakov is a hig...”

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“Yaakov has done a fine job of pulling the many elements of gypsy jazz improvisation together into an excellent course. He has made the high level of skill and knowledge needed to play this music, attainable for aspiring guitarists. Yaakov is a highly experienced,very sharp instructor,and you can do no better if you truly want to learn this style,as well providing, what I feel to be a solid foundation in improvisational music no matter what the genre.”

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Vebjørn Hagen Igland

5 star rating

“Before this course I would find that I got bored of, and discouraged by, my own improvisation because I felt that I repeated the same old ideas and patterns. I signed up for this course hoping it would be the perfect opportunity to improve my impr...”

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“Before this course I would find that I got bored of, and discouraged by, my own improvisation because I felt that I repeated the same old ideas and patterns. I signed up for this course hoping it would be the perfect opportunity to improve my improvisational creativity and toolbox. And boy was I RIGHT! This prosess has introduced me to all the foundational tools for building up a steady flow of creative ideas. After I have made it through all the steps I don't think I will ever get bored of my own improvisation again. And of course... a big shoutout to Yaakov and Michael for providing encouragement and constructive criticism to every single one of us humble students. Thank you!”

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Rick Sorek

5 star rating

“Yaakov generously shares his abundant talents explaining illustrating and demonstrating musical structural building blocks to de-mystify the process of spontaneous melodic improvisation. ”

“Yaakov generously shares his abundant talents explaining illustrating and demonstrating musical structural building blocks to de-mystify the process of spontaneous melodic improvisation. ”

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Rick Skinker

5 star rating

“Fantastic class that gives you the tools to create your own roadmap to continual improvement. The biggest thing I gained was confidence that I am on the right track to improvising. No matter what level of skills you have, you will find this clas...”

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“Fantastic class that gives you the tools to create your own roadmap to continual improvement. The biggest thing I gained was confidence that I am on the right track to improvising. No matter what level of skills you have, you will find this class valuable. I definitely recommend Yaakov's teachings.”

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Doug Stewart

5 star rating

“What a friendly and interesting bunch of characters in the course. I especially enjoyed the technique of having a student right there in your room being guided at one point. Many thanks, Yaakov again for imparting all of these wonderful insights a...”

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“What a friendly and interesting bunch of characters in the course. I especially enjoyed the technique of having a student right there in your room being guided at one point. Many thanks, Yaakov again for imparting all of these wonderful insights and concepts. I am no longer chasing the chords around the chart but rather trying to create something that sounds confident, measured, and ... good! Cheers, Douglas”

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“I’m finally able to see the endless patterns on the fretboard and relax, finding so many ways to explore vaguely repeating motifs that sound good to the ear. Fewer notes, better notes, more meaning and beauty to the soloing. Loving it, and again - that’s for your help! Yaakov ”

“I have been following yaakov's course over 4 weeks and it has really been a crucial breakthrough for me. When Yaakov explained about simplifying chord progressions, keeping the shape and using triads, it all fell into place. I have developed more in the last month than in the previous 30 years ”

“Improvisation in music is like abstract painting in art. Yaakov is teaching some stuff that might seem unteachable. Very inspiring. As you go through it everything starts making sense. The system is quite simple. Also, Yaakov's genuine personality makes a huge difference; if you trust your teacher - it's easy to trust the process.”