I Can't Give You Anything But Love
Django's One-Note-Per-String Concept
In this lesson, we’ll learn the song I Can’t Give You Anything But Love, its melody, chords, harmonic structure, a few chord substitutes and chord progression variations.
You will learn a simple strategy that actually transforms the way you perceive the fingerboard, enhancing your improvisation skills tremendously, along with a complete etude that will show you some interesting ways to implement everything we learned and help you emerge as a much better player and improviser.
After watching this video:
* You will know how to play melody and accompaniment to the song
* You will know how to analyze the song’s harmonic structure.
* You will know how to play variations to the melody and create your own way of playing it.
* You will know how to play advanced accompaniment to the song.
* You will know how to play II-V-I and turnaround variations.
* You will know how to play an ending to the song.
* You will know how to improvise using just one simple and beautiful idea.
* You will know how to improvise with Django's One-Note-Per-String idea over all the chords.
* You will know how to play rhythm variations to your melodic lines.
* You will know how to actually see the chords over your entire fingerboard.
* You will know how to implement Django’s sweeping lick in a real solo.
* You will know how to switch between playing swing eighths and triplets.
* You will know how to play a fast arpeggio run and a few stylistic trills.
* You will know how to improvise over “I Can’t Give You Anything But Love” changes.
* You will improve your technique and your orientation on the fingerboard.
1.1 Melody
1.2 Harmony
1.3 Variations to the melody
1.4 Variations to the harmony #1
1.5 Variations to the harmony #2
1.6 Variations to the harmony #3
1.7 Variations to the harmony #4
1.8 Ending
1.9 Summary of this chapter
1.10 Chapter Summary - PDF
1.11 Downloads - PDF
1.12 Community Discussion - Ask Questions, Comment and Share Your Thoughts!
2.1 Django's Phrases
2.2 Simplification of the rhythm
2.3 Shapes in the 1st position
2.4 Shapes in the 1st position - 1st rhythm variation
2.5 Shapes in the 1st position - 2nd rhythm variation
2.6 Shapes in the 1st position - 3rd rhythm variation
2.7 Improvisation in the 1st position
2.8 Shapes in the 2nd position
2.9 Shapes in the 2nd position - 1st rhythm variation
2.10 Shapes in the 2nd position - 2nd rhythm variation
2.11 Shapes in the 2nd position - 3rd rhythm variation
2.12 Shapes in the 3rd position
2.13 Shapes in the 3rd position - 1st rhythm variation
2.14 Shapes in the 3rd position - 2nd rhythm variation
2.15 Shapes in the 3rd position - 3rd rhythm variation
2.16 One-Note-Per-String Etude
2.17 Improvisation with the One-Note-Per-String idea
2.18 7b9 over the 7add9 chord
2.19 chapter Summary - PDF
2.20 Community Discussion - Ask Questions, Comment and Share Your Thoughts!
3.1 Swing eighths vs triplets
3.2 Swing eighths
3.3 Triplets
3.4 Chromatic triplets
3.5 Improvisation etude
3.6 The etude note by note - 1st A part
3.7 The etude note by note - 2nd A part
3.8 chapter Summary - PDF
3.9 Community Discussion - Ask Questions, Comment and Share Your Thoughts!