Swing, Groove and Time (Live Workshop)

1.1 Even Eights on 2&4

1.2 Emphasizing the Offbeat

1.3 How to Use the Metronome at Slower Tempos

1.4 Swing Eights vs Even Eights #1

1.5 Swing Eights vs Even Eights #2

1.6 Your Daily Practice

2.1 1st Characteristic of Your Presence - Beat and Offbeats

2.2 Beats and Offbeats over Swing 42

2.3 Beats and Offbeats over Nuages

2.4 2st Characteristic of Your Presence - Loud or Soft

2.5 All of Me with Beat - Offbeat and Volume Changes

2.6 3rd Characteristic of Your Presence - Sustain

2.7 The 1st Charasteristic of Your Sound - Vibrato

2.8 The 2nd Characteristic of Your Sound - Slides (and After Youv'e Gone)

2.9 The 2nd Characteristic of Your Sound - Bends (And Swing Gitane)

2.10 Student Troublelshooting - All of Me

2.11 Student Troubleshooting - Djangology

2.12 Student Troubleshooting - Dinah

Short Summary

3.1 Introduction to the Syncopation and Swing Eights Workout

3.2 12 Bar Blues Chord Progression

3.4 Two Eights on the First Beat

3.5 Two Eights on the 2nd Beat

3.6 Two Eights on the 3rd Beat

3.7 Two Eights on the 4th Beat

3.8 Four Eights

3.9 Four Eights on the 1st and 2nd Beats

3.10 Four Eights on the 2nd and 3rd Beats

3.11 Four Eights on the 3rd and 4th Beats

3.12 Four Eights on the 4th and 1st Beats

3.13 Six Eights

3.14 Omitiing Beats

3.15 Syncopated Rhythmic Pattern #1

3.16 Syncopated Rhythmic Pattern #2

3.3 Two Eights on One Chord

3.17 Overview or the Eights and Syncopation Workout

Rhythmic Variations for Syncopated Phrases